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Mecanoo has shared the news of its completed transformation of the Perth Museum in central Scotland. The three-year construction yields 37,700 square feet worth of new public space inside of the Edwardian-style former City Hall that serviced the community from 1914 on. A specially carved... View full entry
Its sale, for £275m, by BT to a hotel group, if it gives the tower a secure future, is welcome. I’m more troubled by the reports that the designer Thomas Heatherwick is to “repurpose” the building. His past work shows that he’s not one to leave well alone, but rather festoon structures with over-sized flower-pots and look-at-me swirling shapes. One can only hope that he discovers some restraint. The BT Tower is already an icon. It’s perfect. Let it be. — The Guardian
Readers will remember the critic's jabs at Heatherwick last fall after the publication of his new treatise on architecture and mental health, wherein Moore declared “an outbreak of shallow wannabe Gaudís” will follow in tow should the call-to-action be adopted. That provocation isn't... View full entry
She wants to make it a paradise of low pollution and healthy living, as friendly to pedestrians and bicycles as can be, with new developments planned to promote community life. This is a long-term endeavour, going back to Hidalgo’s predecessor Bertrand Delanoë, who was mayor from 2001 to 2014, but the Olympics have been enlisted to give it a boost. In the face of what Rabadan calls “a lot of political resistance”, the Olympics “gave us the opportunity to accelerate the transformation we need”. — The Guardian
Surveying the broadscale urban greening and pedestrianization program of 2023 ULI Prize for Visionaries in Urban Development laureate Mayor Anne Hidalgo, Rowan Moore declares the slate of changes “absolutely right” for Parisians while admitting that her “rhetoric has a way of outrunning... View full entry
Conceivably, as one architect speculates, The Line will be “a Noah’s Ark for the happy few”, a privileged AI-controlled citadel set in an inhospitable desert. Otherwise it will be clickbait visible from space, two vast and pointless lines of glass whose colossal construction cost would defeat the Vision 2030 plan to reduce dependency on oil revenues. What’s more likely is that it will never be completed. — The Guardian
The Observer architecture critic blasts The Line as nonsensical, poorly conceived, a youthful self-promotional tool of Crown Prince Mohammed bin Salman, and ultimately mocking the leader’s claims that it is “designed to protect and enhance nature” before predicting much of it will never be... View full entry
Boring, soulless buildings are making people stressed and lonely, according to Thomas Heatherwick [...]
Calling for “a national conversation” about halting the spread of depressing architecture, he said: “We need to fearlessly demand interestingness. We need to rebel against the blandification of our streets, towns and cities, and make buildings that nourish our senses. Human beings deserve human places.”
— The Guardian
The Lantern House and Vessel designer has been making the media rounds lately to promote his new treatise Humanize, which offers a call-to-arms of sorts for architects and planners both looking to combat the proven detriments bad architecture has on mental health. Heatherwick says his... View full entry
The Observer's architecture critic Rowan Moore recently gave a cursory look at the 131 winning projects selected for RIBA Regional Awards to pick a quintet of designs he feels offer the best chances at receiving this year’s Stirling Prize, which will be announced later in the fall. Given... View full entry
The incurable optimist in me still wonders: could his yearnings about the built environment be more beneficially directed? Charles may have been at war with much of the architectural world for nearly 40 years, but might they not unite over what they have in common? They all want sustainable communities and good design. Architects and the monarch also have a shared enemy: the sacrifice of positive architectural qualities to housebuilders’ pursuit of profit. — The Guardian
Moore’s calls echo in some regard the statements made by housing secretary Michael Gove last year, in which he called for an openness to classicism given there is “no silver bullet to solve the housing crisis” domestically. Stirling Prize winners Mikhail Riches and Alison Brooks... View full entry
It is the centrepiece of the Central Vista Project, an ambitious plan to make over the city’s British-built administrative centre. Critics of the new building say that it is an unnecessary replacement of the existing parliament, that short cuts were taken with its procurement and the obtaining of permissions, and that there was minimal consultation with parliamentarians and the public. — The Guardian
The Prime Minister’s Bharatiya Janata Party has maintained the US$150M project is a “necessity” and expects its inauguration to take place soon after previously redying for a debut by the end of October. Modi appeared encouraged on a “surprise” hour-long site visit last Thursday... View full entry
It’s a fact that Africa stands for something that comes from outside. But Africans share something that is 100% there. There is a sense, particularly among the young, that the time has come to define that something on their own terms. There is a sense that it is our time. — The Guardian
The woman tasked with leading the 18th International Architecture Exhibition in Venice this summer told The Guardian critic about the ideas involved in producing the Biennale, which promises a packed slate highlighting the untapped potential Africa contains. She also spoke to Africa’s... View full entry
Playful, elegant additions to universities and colleges were the class acts to follow, while the newly opened Elizabeth line exceeded all design expectations. — The Guardian
Grimshaw’s long-awaited Elizabeth Line finished second (behind Grafton’s Marshall Building for the LSE). Moore said: “The Elizabeth line, when it finally opened in May, revealed an alternative universe of underground railway travel where everything is bigger, brighter and swisher. This is... View full entry
“In the 70s and 80s, my ideas were ignored. I was antagonistic to postmodernism [...] and I paid a price.” — The Guardian
The 84-year-old Habitat 67 mastermind sat down with Rowan Moore to discuss his career and new memoir If Walls Could Speak: My Life in Architecture. Among other topics, he said he had “no idea” that his 2011 Marina Bay Sands design would become “an instant icon” and that the political... View full entry
The project as whole also creates a highly managed territory of the sort that you tend to get in single-owner developments which, despite some funky moves by a Frank Gehry-designed apartment block, is fundamentally predictable. It threatens to cage the beast that is Gilbert Scott’s masterpiece, as might the array of retail logos inside. But, between the blandscape outside and the brandscape within, the power station is cussed enough to assert its own character. — The Guardian
The £9 billion final boss of Greater London adaptive reuse projects (along with the Barbican) is a story of inside and out for Moore, who sees the program’s housing element as an “awkward” mismatch when compared to WilkinsonEyre’s tastefully “sober” and restrained interior retail... View full entry
The problem is that the proposed new work is something else altogether to Venturi and Scott Brown’s playfulness and personality. It has curving glass balustrades, white walls and oak-clad pillars, and expanses of plain paving outside. It is an architecture of near-emptiness, the default style of international art-world good taste. — The Guardian
Moore ran through the litany of changes Annabelle Selldorf is making in replacement of the current iteration’s “bum notes,” which the critic pinned on a rift between the original expansion's benefactors and what was then called Venturi, Scott Brown and Associates. Related on Archinect... View full entry
I’ll pass by the abuse of metaphors (do milestones have hearts?) but not of trees, this being another case of certain designers’ mania for picking them up, moving them around and putting them where they don’t want to be.
Those words from the studio also take liberties with the idea of art. They call the Tree of Trees a “sculpture”. Boris Johnson may once have compared Heatherwick to Michelangelo, but David it is not.
— The Guardian
The Observer critic joined a plethora of online commentators that picked apart Heatherwick Studio’s “Tree Of Trees” Earth Day announcement by comparing it to last year’s fiasco surrounding the MVRDV-designed Marble Arch Mound, which he described as a “cartoon version of nature is... View full entry
This megalopolis of engineering currently lies there, pristine, unspotted by gum or pigeon, with its 319-tonne trains gliding quietly through every few minutes, empty, so that those operating the system can familiarise themselves with the choreography of all that heavy metal. Electronic indicator boards announce their coming with white digits, a notch classier than the orange ones on the old tube. — The Guardian
Moore described the nearly empty £18.33 billion ($23.84 billion) project as an “alternative universe” before likening the transition between the new Elizabeth line and older Central Underground to a scene from (attempted architecture critic) Lewis Caroll’s Alice in Wonderland. The... View full entry