Archinect - Features2024-05-04T05:08:45-04:00https://archinect.com/features/article/2220223/architecture-in-the-givenness-toward-the-difficult-whole-again-part-2
Architecture in the Givenness - Toward the Difficult Whole Again: Part 2 Steven Song2011-04-26T22:06:00-04:00>2012-12-14T17:56:37-05:00
<img src="https://archinect.gumlet.io/uploads/o1/o1t5z1vqdiwewr3g.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>
Our education is based upon the Classical education. An architect is a mason who has learned Latin. Modern architects seem, however, more likely to have mastered Esperanto.<br><br>
Adolf Loos, “Grundsätzliches von Adolf Loos,” Adolf Loos (Vienna: 1930), p. 17.<br><br>
In our world of powerful stimuli and the often irresponsible, commercially motivated love of experimentation for its own sake, there is a great deal that does not establish real communication. For intoxication alone cannot insure lasting communication.<br><br>
Hans-Georg Gadamer, The Relevance of the Beautiful (UK: 1970), p. 51.<br><br>
The art of building has been transformed into a business of self-display and promotion through the design and construction of figurative motifs, making it an object of consumption.<br><br>
David Leatherbarrow, The Roots of Architectural Invention, (UK: 1993), p.1.</p>
https://archinect.com/features/article/2216621/architecture-in-the-givenness-toward-the-difficult-whole-again-part-1
Architecture in the Givenness - Toward the Difficult Whole Again: Part 1 Steven Song2011-04-08T12:46:07-04:00>2011-11-17T15:46:03-05:00
<img src="https://archinect.gumlet.io/uploads/x6/x6827pckzdjgxhbo.jpg?fit=crop&auto=compress%2Cformat&enlarge=true&w=1200" border="0" /><p>
Our education is based upon the Classical education. An architect is a mason who has learned Latin. Modern architects seem, however, more likely to have mastered Esperanto.<br><br>
Adolf Loos, “Grundsätzliches von Adolf Loos,” Adolf Loos (Vienna: 1930), p. 17.<br><br>
In our world of powerful stimuli and the often irresponsible, commercially motivated love of experimentation for its own sake, there is a great deal that does not establish real communication. For intoxication alone cannot insure lasting communication.<br><br>
Hans-Georg Gadamer, The Relevance of the Beautiful (UK: 1970), p. 51.<br><br>
The art of building has been transformed into a business of self-display and promotion through the design and construction of figurative motifs, making it an object of consumption.<br><br>
David Leatherbarrow, The Roots of Architectural Invention, (UK: 1993), p. 1.</p>